Bring it here
I love a good oner from Spielberg – they’re both incredibly impressive but also still remarkably simple/effortless. God, I can’t wait to see this movie again. https://t.co/cNUilLnrnc
– Angelina. (@whyangelinawhy) February 26, 2022
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Would be a better time
How about we just talk about the Spielberg shots here EVERY day
—Vinnie Mancuso (@VinnieMancuso1) February 26, 2022
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praise
WEST SIDE STORY was the most elated movie I’ve seen since probably JURASSIC PARK’s opening night. Whatever his narrative flaws, Spielberg is a visual savant – one of the best we’ve ever had. It’s absolutely glorious. https://t.co/JAGIoKOz23
— Walter Chaw 周瑜 (@mangiotto) February 26, 2022
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On another level
Spielberg filmmaking is on a whole new level… The camera glides, dances with the actors, such a smooth yet visceral experience in one shot. pic.twitter.com/yCu39I7Gue
—Steven A Bowman (@StevenABowman) February 26, 2022
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Remember another time
West Side Story (2021) is a huge reminder of filmmaker Spielberg’s ambition in his later years. As for the story, it offers next to nothing new, but the cinematography and choreography are so stunning, it’s hard not to be impressed. 7/10 pic.twitter.com/s0uFvU7x7Z
—Samuel Cox (@Samwiseonfilm) February 26, 2022
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wild to see
Incredible and also amazing because unlike many showy long shots like this, you never worry about the cut because it gets overwhelming. Spielberg is such a master that he can a) take that shot and b) know exactly what the eye can bear. https://t.co/Sq0g0m5uXT
—Rachel Shukert (@RachelShukert) February 26, 2022
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