8 Best Hindi Movie Soundtracks Composed By AR Rahman

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With his mastery of melodies, tonal textures and thrilling rhythms, it’s safe to say that AR Rahman has rightfully earned his place in the global music industry since he burst onto the scene with his debut as music composer for Roja. Over the years, the ‘Mozart of Madras’ – as it is affectionately known – has only climbed higher ranks and effectively displayed his mastery of various musical styles such as Carnatic, the classic West Hindustani. and qawwali. With two Oscars, four National Awards, two Grammy Awards, a Golden Globe, a BAFTA and a Padma Bhushan (among many others) under his belt, Rahman has redefined the way the world views the Indian film industry and music. that comes out. of it. Today, out of his 55e anniversary, we have tried, with great difficulty, to choose some of his best Hindi music albums over the years.

Roja (1992)

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Even after 30 years, RojaThe songs of are just as lively as they were when they were first released and form the backbone of ’90s Bollywood music. From the effervescence of youth captured in “Chhoti Si Asha” and the longing for ” Yeh Haseen Vaadiyan “to romantic ballad” Roja Janeman “and fiery” Bhaarat Humko Jaan Se Pyaara Hain “, the tracks have stood the test of time and are hummed nostalgically even today.

Bombay (1995)

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The OG synth-pop anthem “Humma Humma” is a lasting earworm and has the power to draw even the most reluctant dancer to the dance floor. “Kehna Hi Kya” and “Tu Hi Re” pull on the heartstrings and make you feel like you’re overflowing with love, but it’s the intense “Bombay Theme” that deserves special mention for being the one of the earliest and rarest. instrumental pieces in a Bollywood film. The soundtrack of Bombay did justice to the romance and drama depicted in the film.

Rangeela (1995)

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The eponymous title track of Rangeela went viral even before the online phenomenon even existed – every dance performance, annual school / college show, and party in the ’90s saw at least a few attendees getting into it. The slow and sultry burn of “Hai Rama” sung by Swarnalatha, the endearing confusion of Munna in “Kya Kare Kya Na Kare” and the brave “Yaaron Sun Lo Zara” made the album original, versatile and fun.

Dil Se (1998)

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The pioneering triumvirate of Rahman, Mani Ratnam and Gulzar gave the Indian music industry one of the greatest albums of all time, a masterpiece that many have since tried to recreate and have failed. The energetic drum beats of “Chhaiya Chhaiya”, the alluring but sweet “Jiya Jale”, the melancholy “Ae Ajnabee” and the rock anthem “Dil Se Re”, for which Rahman also sang the backing vocals, make a fuss. exceptional.

Taal (1999)

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The range of music seen in Taal, one of Bollywood’s greatest films to date, matched the showmanship of director Subhash Ghai and the combined power of Aishwarya Rai Bachchan and Anil Kapoor. The transformation of the sublimely rustic “Taal Se Taal” into the larger-than-life iteration rendered by Sukhwinder Singh in the Western version proved how easily Rahman can adapt the same song to suit different tempos. “Beat of Passion,” “Ni Main Samajh Gayi” and “Ramta Jogi” are testament to the composer’s talent for changing the pace, and just when you’re all hooked on high octane tunes, “Nahin Saamne “arrives to soothe your soul.

Lagaan (2001)

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The epic period drama album didn’t have a single radio-adapted dance number to aid its rise in the music charts, but that didn’t stop it from becoming one of the most memorable soundtracks. of the Indian film industry. The rustic rhythms of “Chale Chalo” and “Mitwa” are perfections of percussion that can instantly pump you up. “O Palan Haare” and “Radha Kaise Na Jale” showed Rahman’s mastery over Indian notes and the beautiful jugalbandi between rustic and oriental strains in “O Re Chhori” is one for books.

Saathiya (2002)

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The groovy bass of “O Humdum Suniyo Re”, the playful jazz of “Aye Udi Udi Udi” and the festive southern flavor of “Chhalka Chhalka Re” –Saathiya playlist looked like a breath of fresh air in the early years. Sonu Nigam’s vocals on the title track instantly transport you to a world filled with rainbows and butterflies. The album as a whole is a study of Rahman’s mastery over a multitude of genres, and SaathiyaSongs from deserve a permanent place on your all-time favorite song list.

Basanti Rank (2005)

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The soundtrack of Basanti Rank opens with Harshdeep Kaur’s soothing “Ik Onkar” prayer song, then takes you on a roller coaster of emotions as you watch a motley team of carefree friends find meaning and purpose in their lives. You have the emotional lullaby “Lukka Chupi”, the electronically charged “Masti Ki Paathshala”, the dreamer “Tu Bin Bataye” and the revolutionary “Khoon Chala” – so there is something for all types of listeners. Rahman’s music is the backbone of Basanti Rank because its chronology alternates between the 1920s and the 2000s.

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