10 ways the theatrical cut is better than the Snyder cut


In 2019, filmmaker Zack Snyder had to step down as director on the – at the time – to come Justice League film due to a horrific family tragedy. The film was subsequently picked up by Joss Whedon, who had successfully written and directed the Marvel superhero team film. The Avengers and its sequel a few years earlier.

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The following Justice League the film, however, was a critical and commercial disaster. Fortunately for some fans (many of whom were behind massively toxic harassment campaigns), HBO Max released a four-hour “Snyder Cut”. Justice League to their streaming service. However, this version somehow turned out worse than Joss Whedon’s theatrical cut.

ten It’s not too long

Zack Snyder’s runtime Justice League, in itself, is not in itself a problem. Avengers: Endgame was also over three hours, which didn’t detract from the quality of this movie at all. No, the problem with Zack Snyder’s Justice League rather, it’s its languid pace, boring monochromatic cinematography, and the horrible, borderline CGI worthy of a video game.

The length only exacerbates and amplifies the film’s already existing flaws. And while the theatrical cut of Justice League was way too short, much better if you have the choice between the two extremes.

9 Superman must be Superman

Superman Henry Cavill Justice League

One of the biggest issues with Snyder’s vision is the fact that there was no room for Superman. Of course superman existed in Snyder’s films, but in the three films he made, Superman was never the optimistic paragon fans are used to. And although that makes sense in Steel man-Since this was about Clark accepting his powers, it’s infuriating that Superman remained stark and not fun for nearly ten hours of running on three feature films.

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However, Justice League ‘s theatrical cut, in contrast, featured a fun and caring Superman who jokes and goes out of his way to save civilians. It might only have been five minutes, but it lasted a good five minutes and proved that Henry Cavill was a perfect cast when he got the chance.

8 Steppenwolf is more beautiful

Up front, villainous Steppenwolf (voiced in both versions by Ciarán Hinds) also looks gruesome in the theatrical cut – his fat CGI body too rubbery and fake to be menacing, and his face exists right in the middle of it. ‘Uncanny Valley. Again, the problem isn’t that Steppenwolf is watching Well in the theatrical cut … it’s just that the sharp, too shiny, somehow even more rubbery Steppenwolf of the Snyder cut looks like worse.

Seriously, Snyder’s Steppenwolf looks like what would happen if the ’90s XXXTREMEs were one person, except that it still gives his design too much credit.

seven Lots of humor always works

Superman and Flash racing in Justice League

There has been a lot of talk about how Whedon’s pleasant dialogue didn’t fit well with Snyder’s more austere and lyrical tone in the theatrical cut. And that’s true. Whedon’s Cut is an absolute tonal disaster. But, nonetheless, he is still preferable to Snyder’s serious aspirant-wagnarien pablum.

Because for all the squeaky jokes that don’t really work (ie Flash’s horrible “brunch” runner and the scene where he stumbles upon Wonder Woman), there are plenty of humorous scenes that. To do work, like the scene in Aquaman’s “lasso of truth” or Superman and The Flash preparing for a race.

6 Don’t unnecessarily kill Cyborg’s father

Cyborg (Ray Fisher) in Zack Snyder's Justice League

There are a lot of genre clichés that should be left in the past. While Snyder is Justice League avoids many tropes, he definitely comes face to face as Joe Morton’s Dr Silas Stone (Cyborg’s father) sacrifices himself to save the (mostly) white cast – something actor Morton did thirty years ago. years in Terminator 2 … that’s how ubiquitous the trope is.

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It becomes even more glaring when you realize that he was the only other major POC actor in the film aside from Ray Fisher’s Cyborg (since Kiersey Clemons’ Iris West Is Only In One Scene).

5 Wonder Woman reveals she never gave up

Gal Gadot as Wonder Woman in Justice League

A key sticking point with fans about Snyder’s DCEU is the revelation that Wonder Woman, aka Diana Prince, abandoned humanity after World War I and didn’t decide to return to superheroes until after the ‘introduction of Doomsday at the end of Batman v Superman: Dawn of Justice. However, in the Justice League In theatrical cut, Diana tells Batman that she actually never really gave up on being a hero, which is more like Diana from the comics.

In fact, Patty Jenkins would reiterate Whedon’s point about continuing Wonder Woman’s superhero career in Wonder Wonder ’84 (most likely by Jenkins’ own will, separate from Whedon, but this film nonetheless remains more in line with Wonder Woman’s version of the theatrical cut than Snyder’s, even unintentionally).

4 Darkseid is not a weak punk

Justice League Snyder Cut Darkseid

To be fair, Darkseid isn’t in the theatrical cut… but it’s better than what Snyder does with him. Because in Snyder’s cut, viewers first see Darkseid in a flashback scene where he gets his butt kicked during the War for the Mother Boxes. Doesn’t really inspire much confidence in him as a threat when the first time we see him he has to be carried away, defeated, and bleeding almost to death.

Some comic book fans will complain that “it’s not Actually Darkseid, it’s Uxas, before he earns his coat! “However, a movie should be stand-alone and not need any ancillary material to make sense of what’s going on.

3 The Snyder Cut has an excessive R rating

Zack Snyder's Justice League - Aquaman, Cyborg and Wonder Woman

Now, there is nothing wrong with R-rated superhero movies. Deadpool, Logan, The punisher, and even that of Snyder Watchmen the movies all get the most extreme rating. But it’s weird to have a movie based on the Justice League – of all things – that is so needlessly violent. And for what purpose? Snyder himself has said he does not believe in sanitized violence because the bloodless action of PG-13 does not allow the public to see the consequences of said violence. And that certainly makes sense.

However, that argument crumbles when you realize he’s about Wonder Woman throwing humans in bloody walls. At this point, that’s just not true for the characters. Wonder Woman and Superman are not Deadpool and The Punisher. It is not the violence that is involved, it is who perpetuates it.

2 Martian Manhunter’s reveal makes no sense

Martian Manhunter in Zack Snyder's Justice League

Cartoon Easter Eggs are fun, there’s no denying them. So the problem with the reveal that General Swanwick (played by Harry Lennix) was actually Martian Manhunter the entire time has nothing to do with his appearance in the Snyder Cut, and everything to do with how little sense that is. at.

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Like, with the power of Martian Manhunter, why has it taken him so long to do anything to help people? And, worse still, it ruins a big scene between Diane Lane’s Martha Kent and Amy Adams’ Lois Lane by revealing that Martha was Martian Manhunter the entire time. What was the point of that?

1 The post-apocalyptic end was horrible and unnecessary

Joker at the end of the Snyder Cup

Contrary to popular belief, Zack Snyder Justice League on HBO Max didn’t shoot many new scenes, as most of the extra $ 70 million (apparently) was donated to finish editing and finalizing the unpolished VFX shots. However, there were four minutes of film footage shot specifically for HBO Max… which was the post-apocalyptic epilogue. And it is horrible.

From wacky visuals and overly claustrophobic cinematography to excruciating dialogue (including Batman’s wacky f-bomb and Jared Leto Joker’s “reacharound” joke), it’s just awkward and unnecessary all around.

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